Fantascapes
Here is a massive project I’ve started, to be an ongoing side project. Other than The Hollow and another indie film (more on that later), and other than the various “serious” or “academic” or “publishable” compositions, I will be working on Fantascapes.
Let me give a little introduction to the project. Originally, I was going to do a five-movement symphony of orchestral tone poems, evoking that epic film music sense. I created the title by cleverly (I think so, anyway) combining the words “fantasy landscapes”. I had this idea since about the time I left Missouri (summer ‘04). Fast forward to last week: I thought it would be cool to use some themes and ideas I’ve been “saving” since as far back as 1999 and make an epic fantasy score. Basically, an assortment of tone poems that can accompany any generic fantasy computer/video game, or even a table-top game. I think, if nothing else, I might be able to market the finished project to AD&D gamers.
I combined the two ideas into this project. Instead of a concert orchestral piece that would never be played anyway, I’m going for top-quality digital orchestra (yeah, I know).
Sci-fi/fantasy has always been the best genre for epic, broad, imaginative sound. I mean, seriously, anything goes. I’ve had some ideas since before I even took lessons with Dr. Gooch that I knew were too fantastic to use on that stupid Kings of Lusturia score I made to a badly-written student play called Four Things I’d Like To Forget. Heh, I can think of four things I’d like to forget about working with the TSU theatre department…
Where was I? Oh yeah. So last week I came up with the idea of just making a score to nothing, and letting gamers fit it in to their campaigns however they want. I don’t personally play Advanced Dungeons & Dragons for a variety of reasons, but I’m not averse to the concept.
It’s my favorite musical genre. I get to finally use some ideas I’ve been holding for years now. I get to play with an orchestra, albeit a fake one. I get to redeem myself for the cringe-inducing score to Kings of Lusturia. I get to do whatever I want with the music. It’s a no-pressure project with no deadline. I know a buttload about fantasy film and video game music. For all these reasons, I’m looking forward to wasting my time on this ginormous feat. I’m probably going to spend months on Fantascapes (especially since it won’t be my top priority), but it’s going to be a
whole hell of a lot of fun!
On the other hand, I can only think of… maybe four people who would definitely be interested in hearing the final product (immediate family doesn’t count). I think, however, once this project is done, it would be a good time to start my own website with mp3 samples of my work. Then, optimistically, I can begin the dubious process of whoring myself out to commissioned projects…
Baby steps.

11 Comments:
Sounds like a good idea. What are you using for a digital orchestra? Are you going to purchase an orchestral library?
Monday, October 30, 2006 1:03:00 PM
Mmm...whores! If you buy an orchestral library, can I hate you until you let me borrow it sometime and then be your super-bestest friend ever...er?!!
Monday, October 30, 2006 9:03:00 PM
Who'd have thought I'd be taking criticisms/admonishments from people across the country I've never met.
You know what that means, people... DISCLAIMER TIME!! WOOOO!!
I deleted your comment, but I agree with the thought that future collaborators may get the impression I'm an ingrate.
This blog isn't for them. YOU stumbled on it by accident. YOU do not know the context of anything I'm talking about. This blog is for my friends and family, and thus... I do a lot of bitching and ranting. Sometimes I name names. Those names are people who deserve MUCH WORSE than I give them. THEY are the people who should be denied future collaborations.
But, again, for the sake of good PR... your warning has been noted.
I am always justified in my complaints.
I assume you're talking about my slam at the theatre department at TSU, so I'll address that:
In the spring of 2004, I was working on a score to a student-written play. I had graduated in Dec, so I had ALL my time to devote to this project. It was a fantasy epic... for which I composed 74 minutes of music. I slaved away for two months+, and I did it for free. Not only did they SEVERELY alter the script and not tell me about it (so many of the cues I was working so hard on were shortened or cut completely before I was done writing them!), but they ended up horribly misusing them anyway. Moreover, at the completion of my part of the production, I did not get a single "thank you". Not a word. Not a handshake, not even a smile. No pay, no gratitude. Just apathy. Now who's the ingrate?
So you see, Sir Stranger, I have a right to complain. Now you understand. I wouldn't complain so much, had I at least been paid. And, in your professional world... people get PAID!!
I do not complain about other working relationships, so you shouldn't worry about me offending potential collaborators. I'm not James Horner (I'm not an arrogant, ungrateful dick).
Tuesday, October 31, 2006 1:34:00 PM
It sounds like I'm exaggerating. I wouldn't believe me, either, had I not been there. The truth is unbelievable. They suck at life.
So I'm saying you actually have to try PRET-TY hard to disgruntle me enough to make me broadcast it to the internet.
Anyway, back to the subject at hand...
Tuesday, October 31, 2006 3:17:00 PM
It is legitmate. I was there. I saw it all! He reached up...with his dead hand...and he signed it in his own blood.
Hello, Vinnie. It's your Uncle Bingo. Time to pay the check!
Tuesday, October 31, 2006 4:55:00 PM
You're creepy.
Wednesday, November 01, 2006 8:11:00 AM
heheheh...
Wednesday, November 01, 2006 12:03:00 PM
Timmeh?
Wednesday, November 01, 2006 3:08:00 PM
W-w-w...wow!!! What a gr-gr...gr-great audience! What a great au-audience!!!
Thursday, November 02, 2006 6:21:00 AM
By the by, Herr Magister Scott, TSR (the company that published Dungeons & Dragons until Wizards of the Coast bought them), put out a few CDs of music and sound cues to accompany gaming in the mid-90s. The CDs were combos of short bits of music and sound effects, with the idea that you'd have a CD player at the table with you and hit the cues as appropriate.
They never caught on.
Thursday, November 02, 2006 5:23:00 PM
Well then. So much for originality...
Friday, November 03, 2006 12:33:00 PM
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